(Radio Eins): Netlon Sentinel (EP - EP7) Warp.May 1999 (FSK): Liccflii (CD - EP7) Warp.04 February 1999: Milk DX (EP: Peel Session) Warp.25 August 1998: Fold 4, Wrap 5 (2xLP - LP5) Warp.04 August 1998: Under BOAC (LP - LP5) Warp.22 October 1994 (BFBS): Glitch (album - Amber) Warp (John has been educated in the pronunciation of the band's name but prefers his own version).15 October 1994 (BFBS): Silverside (album - Amber) Warp.14 October 1994: Glitch (LP: Amber) Warp.30 September 1994: Silverside (album - Amber) Warp.04 June 1994 (BFBS): Basscadet (3x10" - Basscad EP) Warp.(BBC World Service): Basscadet (3x10" - Basscad EP) Warp.23 April 1994: Basscadet (LP - Incunabula) Warp.16 April 1994 (BFBS): Basscadet (3x10" - Basscad EP) Warp.08 April 1994: Basscadet (2xLP – Incunabula) Warp.26 February 1994: Bronchus 2 (2xLP – Incunabula) Warp.27 November 1993: Lanx 3 (v/a CD – Volume Eight) Volume.Recorded, Warp Records Night at Meltdown, Queen Elizabeth Hall, London. Recording date unknown, recorded at All Tomorrow's Parties. Peel’s titles were retained when the session was released commercially.)ģ. (The tracks were untitled on the session sheet, so Peel gives them names himself, except the final one (named by the band). #1 available on Peel Session (CD/12", 1999, Interscope) and Various Artists: Warp Peel Sessions Vol. 1998 Festive Fifty: fold four wrap five #48.He showed me you could push things in whatever direction you wanted." Festive Fifty Entries “John Peel pulled me away from hip-hop by playing Meat Beat Manifesto and Renegade Soundwave. In a 2018 interview, Sean Booth credited Peel with widening his musical horizons: Autechre describe their music as amorphous and instinctual pushing the boundaries of experimentation." Ī keen supporter of the electronic music label, the DJ regularly featured the releases of the Rochdale pair, who also recorded two studio sessions for his show, as well as a mix from All Tomorrow's Parties, and scored a 1998 Festive Fifty entry. "Manchester duo Autechre dragged the audience back into the studio, hunched over their machinery in pitch darkness with small torches to light their way. The Independent newspaper reviewed their performance at the Queen Elizabeth Hall in the following terms: In June 1998, Autechre were one of the four outfits who performed in a Warp live special for the opening night of the Meltdown festival curated by Peel, alongside Broadcast, Plaid and Plone. Links to Peel “We love them, don’t we, Anita the producer?”
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